The Last of Us Part I - Meeting Ellie Cinematic Lighting
This is a selection of shots where Joel and Ellie first met.
I am the Cinematic Lighting Artist for this real-time cutscene.
--------------------------------------------------------------------
For this scene, we opted for a softer, warmer light filtering through the windows compared to the original, creating a more intimate atmosphere while keeping the characters enigmatic. I approached the lighting as if staging a theatrical performance, using key lights to highlight the main actions—much like following a lead performer on stage.
At the same time, maintaining a sense of realism was essential. I adjusted the lighting for each shot, ensuring every detail served the narrative context.
We also dedicated significant effort to enhancing the atmosphere with dust particles, a subtle yet beautiful touch that adds depth to the scene. A special thanks to our FX artist, Slim Ghariani, for his outstanding work in bringing this detail to life.
--------------------------------------------------------------------
Level Lighting by Antoine Deschamps
Environment Art by Josh Vega & Philip Weisfeld
FX by Slim Ghariani
A fill/rim light on Joel to keep the subtle attention on him when Ellie is the focus.
The lighting for the room behind Joel (gameplay level) was actually re-adjusted to feel more consistent with the hideout room. (much darker)
Joel enters the key light area to become the focus again.
A lot of extra lights to keep Tess performance readable in the shadow.
Gobo light was used for the window lighting so I was able to reposition them exactly the way I want for each shot.
Exaggerated light intensity on Joel to focus on his reaction of avoiding eye contact with Ellie.
